I Picked the album up by surprise i think the week before christmas 92 while visiting my dad. Now my dad had no C.D player in his house so i had to wait nearly a week and a half to hear the shit! imagine that. So i finaly get my ass home and in the presence of some mates, throw the shit on and realise then and there what you listening to is just classic classic shit. But seriosly now i can remember it taking a long long time for people in the U.K to really start bumping this stuff and it wasnt untill "Nuthin but a G thang" took over MTV that people really took a shine to the album. Hip Hop connection (english version of the source at the time) absolutely panned this album!!! fools.
The single came out and as usual from dre there wasnt that much of an extra to the single.Then came Let me Ride... Another pretty dull single release with no mixes then came another version? that seemed to happen a lot with this album (3 different singles of the same song ) but then there was a "Let Me Ride (extended) " version . A full 11 mins long with some alternate lyrics and beat was a tiny bit different. but well worth having if you dont have it.
Then...Dre finally releases a single thats worth its weight in bud seeds and quite possibly the essential dre 12" to own.
Now i remember hearing "Deep cover/One Eight Seven" a long time before the chronic came out but could never find the track and i dont think many did so the fact it was finaly released on this 12" was defiantely the biggest reason to own it...untill you flip it over and get blessed with the now classic studio smoking session banger that is "puffin on blunts & drankin tanqueray" Classic 12" here for any vinyl junkie alive.That was that...The chronic and its singles were absolutely played to death for over a year and the hip hop world waited on the arrival of Snoops solo album. Now when "whats my name" dropped i was a little dissapointed to tell the truth but then the day arrived and the album dropped.
So on very first listen you have the bathtub intro????? then the actual G-funk intro where Lady of rage explodes the album up straght away and all is forgotten with the dissapointing first single. classic after classic on this album and it just picks up from where Chronic left off. I own not a single 12" from this album ? i dont know why but nevermind.
Then came a little spin off featuring the whole death row crew. The track "murder was the case" from snoops album was turned into a mini film and that paved the way for a soundtrack to be created from pretty much the entire Death Row roster. Not by any means a classic but there were some very good tracks on it and its one of those albums i not seen posted up anywhere else so i thought i would do the honours.
So to wrap it all up I think i've thrown up a little surprise. This wasnt a Death row release but it may as well have been. The man responsible for introducing Snoop to Dre, Warren G. Warren G is Dre's little step brother and had a little crew going on with Snoop and Nate Dog while Dre was in the studio producing N.W.A's last album. Of course things happened and Dre and Snoop did the deep cover thing and "G-Funk was officially born" soon after.
Warren G - Regulate...G -Funk era
So that concludes my little death row connections ting. I do have many many views about the similarites with Dre's effort and Above The Laws "Black Mafia Life" album but as my pc wont rip the cd its kind of hard to throw down my argument about it. hope you enjoy the tracks if you havn't heard them before.......